Friday the 13th, Part 2

bag-head’s revenge

Friday the 13th, Part II
Director: Steve Miner
Released: 1981
Starring: Amy Steel, Jon Furey, Adrienne King, Warrington Gillette, Stu Charno, Betsy Palmer
Running time: 87 minutes
Genre: horror, slasher

Friday a deux: Alice, sole survivor of the murders at Camp Crystal Lake, lies dreaming of the horrors she went through at the hands of Mrs Voorhees. Awakened by her nightmare, she showers, chats on the phone, and then, before the very eyes of her adorable cat, is brutally slain. The killer is considerate enough to remove her boiling kettle from the hot burner. What a well brought up killer!

Fast forward five years, and a fresh crop of counselors-to-be arrive at a training center on Crystal Lake, not far from the infamous “Camp Blood.” The chief trainer, Paul, advises the n00bs of the seriousness of being a camp counselor, mostly bears, and that night around the campfire, the underlines said seriousness by telling them the story of Camp Blood, Mrs Voorhees, and of course, Jason, who reportedly still lurks in the woods around Crystal Lake. Dismissing the tale as an inflated urban legend, the would-be counselors kick back with some teambuilding exercises like swimming, grilling weenies, and cockteasing. Two of the more intrepid CITs (that’s counselors in training, for those who’ve never read the seminal summer camp classics like There’s a Bat in Bunk Five), Sandra and Jeff sneak over to Camp Blood to check things and or possibly do it, but are caught by a local yokel just as they discover the mangled remains of some animal, possibly Muffin. (Fisty: At this point, Eli declared he no longer liked Jason.) That night, most of the CITs head into town for some partying before their training begins in earnest, but a select few stay behind for shenanigans. And of course, Jason is happy to keep them company. STABBY COMPANY.

Increasing returns: F13P2 is a stalwart entry in the franchise, even compared the the same year’s The Burning. It’s a respectable flick that could stand on its own, and is the last sequel to truly capture the feel and groove of the original–so much so that they could almost be one movie. Unfortunately, the kills (several thieved straight from Bava’s Twitch of the Death Nerve) are censored out of awesome and into mediocre.

Fisty: Good goddamn, I am so glad Steve Miner spent like, six minutes recapping all of F13 in Alice’s dream, because god knows the plot is hard to follow. OH WAIT, NO I’M NOT.

Bill: It had only been a year since the release of the first movie.  No one had forgotten any of that!  Still, you get the recap followed by five minutes of dickteasing with no nudie payout, then a prank call because Jason loves the Jerky Boys, and, finally he shows up (apparently having taken the Crystal Lake Ferry into Manhattan) and kills a girl that has nothing at all to do with this movie, since it all takes place five years after her disappearance!  Then, at last, 15 minutes into an 86 minute movie, we see some of the main cast.  But that’s followed by 10 more minutes of nothing, making the movie practically a third of the way finished before we get the campfire scene that explains everything we just watched and should have been the beginning of the movie!

Fisty:And then even after the campfire reveal of Jason’s story to the CiTs it’s still another six minutes of not a whole lot to the next kill, which is just Crazy Ralph being his crazy self and getting garotted. Next to go is the cop, who wanders off into the woods to investigate that strange man he just saw, and then stumbles across Jason’s Little Shack of Horrors where he bites it approximately eleven minutes later. God, these guys really were following their “a kill every ten minutes” rule.

terry’s abbreviated morning jog

There’s a lot of teaser stuff here, in that we’ve got a lot of mysterious boot-clad feet standing around, and killer POV peeping out at folks from the bushes. And then there’s First Girl Terry, who is never more than half-dressed at any give time, and sometimes much less. Either her ass is hanging out of her shortshorts, or her boobs are hanging out of her skimpy halfshirts–occasionally both! (We won’t go into the vaguely hippie Sandra’s awful attire, as she is otherwise quite likeable.) For all these teases with Terry, F13P2 is sorely lacking in titties, and there’s only a nanosecond of bush shadow. I know it’s par for the course with F13, but still, I was stunned when Terry, after her skinnydip, bothered putting a shirt back on when the towel draped around her neck actually covered more than any of her shirts thus far. HIGHLY DISAPPOINTING. And thanks to heavy censorship, half the kills are off camera, too.

Bill: That brief scene is the only nudity in the movie.  The flick teases you with Mark’s little fan girl, showing her panties slide down her legs, but never makes good on the promise.  And the speared couple have sex without ever even showing a single nipple.  Ugh.  Appalling.

Fisty:But I like Vicky! Her death is, to my mind, the worst in the movie (except for the maybe-Muffin death), because our Bava fan took some notes from the Italians, and her death is very Italian, very Fulci: Long, slow, and excruciatingly drawn out. She just goes tharn in abject terror as the knife slowly approaches. It’s so awful, and I liked her so much. She’s a good girl being naughty! I like her throwing herself at Mark (aka Wheelchair Dude), and I love how she runs off to prep for their hooking up. It’s all so natural, right down to the lipgloss and panties that match her sweater. Despite the amateurish and sometimes hammy acting, I like the look of all our campers/counselors; they all look very real, very natural, like they just wandered out of a Judy Blume or Norma Klein novel and into a nightmare. It’s one of the significant aspects of these movies, that the victims are so very ordinary, that they try to realistically place teenagers in an adult-free setting. Verisimilitude, baby. Right down to Ginny’s halfbaked drunken child psych maunderings.

our sweetheart, vicki

Bill: One of the strengths of the slasher genre was always that it took away all the gothic trappings and scary old houses full of characters that a kid growing up in the 70s, 80s, or even today, could barely relate to.  In their place, we get suburban neighborhoods and camps and sorority houses, the places we find ourselves, filled with kids that could be us or our friends.  The F13 franchise, up until the second half of the series, was particularly good at this.  People like to rag on the characters in movies like these, saying they’re unbelievable, because they do stupid things, go where they shouldn’t, do things they’d be better off not doing, but when I think of my friends or myself as a kid or,  hell, even think of myself now, I know I’m not far off from a Mark or a Paul or a Ginny or Vicky.  I’ve heard your drunken meanderings, Fisty.  Aside from all  the crying and screaming about Laura Ingalls Wilder, they aren’t far off from Ginny’s.  Vicky’s little spritz of perfume on her panties, the way she skips around, oblivious to danger, lost in her hormones and glee…  That could be any of us.  It could certainly be me.   I have sprayed cologne in my pants and skipped around.  I have even worn panties that matched my sweater.

Speaking of Paul…  Fisty, do you know what happened to him?

Fisty: I wasn’t aware that we were, but NOBODY KNOWS. What the fuck happens to Paul? And to Muffin, for that matter? The last we saw, crazed hillbilly mutant Jason crashed through a window just after Paul opened the door to discover the missing Muffin there, purple ribbon and all (and that moment, when the music gets all Benji sentimental and Muffin looks up at them, is totally heartwrenching and pleasing). The music rises to a sudden crescendo, everything goes slow-mo, and then … fade to Ginny being taken away by EMTs, calling, “Where’s Paul?” (Who called them, anyways?) We never see or hear of hide nor hair of either Paul or Muffin again, not even in F13P3. THAT JUST ISN’T RIGHT.

Bill: Maybe he met up with Terry, whose body I don’t recall ever seeing (could she have called the emergency services?!) and they went to hang out with Ted at the bar he never came back from.  Man, you can really tell Jason doesn’t have the hang of this psycho killer thing yet.  He just lets half of the cast wander off and disappear.  As much as I’m enjoying tearing it apart, the very fact that this is Jason’s first go around as the killer and, thus, important to the development of the character and the series, I can’t hate this movie.  I can’t help it.  I’m an unrepentant, Friday the 13th fanboy and even Sack-head Jason has a place in my heart.

Fisty:Awww, Jason the Bag-head! Him and Muffin, togetha 4eva!

muffin the hunted

Bill: You mentioned earlier that the kills were mostly fushing feefed (trans.: stolen) from Twitch of the Death Nerve and they totally are, but I don’t think I’d have minded that so much, if they’d tried to one up Bava’s film.  Instead the kills are totally weak and there’s barely a trickle of blood in the whole movie.

The weak kills, almost total lack of T&A, and Jason’s unprofessional inefficiency force me to place this sequel low on the scale of best Fridays.  I’d still rate this one ahead of parts 8 and 9, but that’s it.  Every other installment in the series is better than Part 2.

Fisty: Hells no. You are a total idiot. P2 is probably my favorite, even in light of later fun with the Dead Fuck Dance or in space(!). It’s got character! Style! The characters are developed, it FEELS like the first movie, and the story works–but for the incomprehensible ending. Plus, Ginny is a totally kick ass Final Girl. Suck it, Bill.

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