Leprechaun in the Hood

who stole me luc--oh, fuck it

Leprechaun In the Hood
aka Leprechaun 5: Leprechaun in the Hood
Director: Rob Spera
Released: 2000
Starring: Warwick Davis, Ice-T, Anthony Montgomery, Rashaan Nall, Redd Grant
Running Time: 90 minutes
Genre: Horror comedy

Fantastic voyage: Polyester, funk, pimpin’ as a lifestyle, platform shoes and bra-less disco titty freakouts… It’s the ’70s! Mack Daddy O’Nassas (Ice-T) and his lesser befro’d lackey, Slug, (no doubt using a sledgehammer stored in Mack Daddy’s spectacular T.A.R.D.I.S. of ‘fros) are smashing through a cemented-over opening in an old subway tunnel, following rumors of gold. Breaking through a wall inside they find an ugly little statue with a pot of Lucky Charms gold, a magic flute and a funktastic medallion hanging around its neck. Mack takes the flute and instructs his goon to get the rest. Clearly having not seen Leprechaun 3, Slug takes the medallion from the statue, freeing the Leprechaun from his stony imprisonment, and getting an afro pick to the throat for this misstep. Slug’s death throes tip off Ice-T to the Lep’s menacing advance. He pulls a succession of weapons, mostly from his afro, but is repeatedly disarmed by the midget midas muthafucka’s magic.  With seconds to live, Mack hits a valve, blasting the Leprechaun with steam, knocking him back and thanks to a bit o’ luck (o’ the Irish?) the little beast falls on a board that launches the medallion into the air at just the right angle to bring it back down around his neck, sealing him in statue form once again.

midget midas motherfucker

Twenty years hence, the worst rap trio imaginable, positivity-affirming Postmaster P, sketchy Stray Bullet and the virginal, scienterifically genius Butch are down some equipment and on the hustle to replace it before a local rap battle. If they win, they could move on to Las Vegas and the big time, but with no money (and no talent) they have no chance. Enter: Big time pimp, criminal don, and record mogul, Mack Daddy O’Nassas!

Mack offers the boyz a shot at fame if they drop their positive message and take on a more gangsta image, but Post’s reluctance pisses him off. He throws them out, rescinding his offer and insulting them and leaving them no choice but to turn criminal to further their career (which is better than playing fake gangsta, apparently.) They come back that night and break into Mack Daddy’s office, expecting him to be out partying all night, and are surprised when he walks in on them mid-burglary. In the confusion, Ice-T gets capped by a startled Postmaster P. The fellas gather up the Lucky Charms gold, including the flute and the medallion, kept like a trophy on the stone leprechaun in a display case in the office, and flee. They use the Lucky Charms gold to fund their rap aspirations as P learns about the powers of the flute. Unknown to them, they freed the Leprechaun and Mack Daddy O’Nassas isn’t dead and both of them are now after the trio, wanting the magic flute, the only thing that makes their rap palatable and their dreams of livin’ large attainable.

did we mention the demonic fly girls?

The Lep is the real O.G.: More entertaining than it has any right to be as a straight-to-video blaxploitation offering in the demented Leprechaun franchise, Leprechaun in the Hood features adequate performances and effects, and just the sort of self-aware humor you might expect from its title, as well as the least necessary top-billing cameo of all time.

Just in time for the celebration of all things ersatz-Irish with St Paddy’s Day, here’s Leprechaun in the Hood!

Bill: I love hood flicks. When I was an urban youth in the ’90s, it was practically required of me to watch Colors, Boyz n the Hood, New Jack City, Juice, South Central, Menace II Society, Strapped, Friday… Hell, even Poetic Justice and Jason’s Lyric (or Jason Lyrics as I’ve heard it called quite a few times) were must-watch movies.  Naturally, since I was already a horror nut, when they started making horrorthemed hood flicks like Tales from the Hood and Def by Temptation, I was a big fan of those, too. It might be mostly be that I love genre mash-ups. Weird Westerns, weird war tales, sci-fi horror and horror comedies are all some of my favorites. It’s also at least partially because they remind me of the Blaxploitation horror movies I would watch when I was little. Films like Scream, Blacula, Scream, Blackenstein and JD’s Revenge would play on the local stations here when I was little. They would never play any other Blaxploitation titles that I can recall, only the horror ones, so I didn’t even realize that they were part of a whole ‘nother subgenre of films. To me, they were just like any other horror film, only with a slightly different flavor, something to make them stand out in my memory. I dug them for being different and hood horror, being the successor to Blaxploitation horror, taps the same vein those memories run through and wind up occupying the same space in my heart.

nod to the 70s

That being the case, it isn’t surprising that I liked Leprechaun in the Hood. It’s a superbly made, well-acted, and sometimes touching lesson about greed and the desire for fame corrupting even the most noble souls. This lesson resonates even more strongly now, in the age of celeb-reality television than it did when the movie was made ten years ago. It’s also taut and suspenseful and full of twists that you will never see coming. It’s hard to think of anything bad to say about this movie at all.

Fisty: I really do not feel qualified to interrupt Billy’s paean to hood horror, but he says it’s my turn to talk. Uh … my experience growing up was really the converse of Bill’s: I grew up in Hawai’i, where there really are no black people (seriously, some sources say the population is 2.5% and other have it clocking in at barely a half a percent), and had little to no exposure to blaxploitation or urban films. I had no idea they even existed till I picked up a novelization of Shaft at a garage sale when I was in intermediate school (which I lent my elder sister and she subsequently lost, damn her eyes). Now, chanbara and kung fu, that’s a totally different story–but irrelevant today.

Bill: Yes, yes, yes, but what about THIS movie?

ready to slowdance in your gloryhole

Fisty: This movie is a piece of shit, storywise. “Superbly made?” “Taut and suspenseful and full of twists that you will never see coming?” My ass. Screenwriters Doug Hall and Jon Huffman rely heavily on hood stereotypes like the Korean storekeeper, and on the “humorous” situation of non-black folks trying to jive-talk, like the record label rep, and of course that fucking Leprechaun. Also, our protagonists were pretty shittily written,though the actors inhabiting them were good, the characters themselves were pretty uninteresting; what is there really to like about people who suck so bad they have to resort to (stolen) magic to be successful? Or is that some kind of stupid moral? Wait, it can’t be, because the tired “twist” ending was really … well, I won’t ruin it for anyone. But umm, it was crappy.

That being said, I have a really low tolerance for low-budget, straight-to-video movies that suck, and I will admit I fully expected Leprechaun in the Hood to be one and to totally blow chunks, but it surprised me. Anthony Montgomery, Rashaan Nall, and Redd Grant turn in some excellent performances as the truly terrible trio of Postmaster P, Stray Bullet and Butch (wait, did they ever actually say the name of their act? WTF), and all the supporting actors (even Ice-T, who is honestly awful in everything) were damn fine, too, with special mention for Dan Martin as Jackie Dee. Even the humor was actually funny (in context), except when they’d get carried away with urbanizing the Leprechaun (“A friend with weed is a friend indeed?” “You must be trippin’?–fuck you, Leprechaun.)

what this movie's better on

Really, the production values in general were impressive, comparatively speaking, and I found myself reasonably amused throughout the whole thing–though it would have been better ON WEED–barring the Leprechaun’s rap finale, which was mortifying.

Bill: I was kidding! The movie is terrible! There’s no suspense at all! It’s full of silly plot holes like the Leprechaun summoning his Zombie Fly Girl to free him, when judging by the way he just popped out of his prison, he never actually needed to wait for her. The “urbanization” of the un-hip for laughs, like you said, is lame. It’s a hack bit and wasn’t funny when it was new, and the closing “rap” and the accompanying dance number is cringe-worthy. And why were all the “Fly Girls” white?! There was, like, one black girl! The club scenes showed the budget way more than I’d’ve liked, but lame club scenes are a pet peeve of mine.  There is some gore, but it’s mostly unimaginative.  Just some squibs mostly, with the exception of a great torso fist fuck and a nice gaping body cavity. It lacks in  comparison to some of the other Leprechaun movies (like the pot of Lucky Charms gold in the stomach from Part 2) and the similar Wishmaster movies. That little guy can do anything, so why limit him to straight-up, conventional physical violence? Though, I dug the hair pick in the throat. I just love the idea of a man being killed with his own afro pick.

mama said there'd be days like this

I stand by what I said about the plot twists, however. They are unexpected, even if they’re totally ridiculous. I mean, who saw that last reel transvestism coming?! Oh,  and HOW DARE YOU say that Ice-T always sucks?! Surviving the Game? Johnny Mnemonic? TANK GIRL?!

Despite the shitty, I really did enjoy LitH. I genuinely liked Post and Butch and even Stray. Butch even more than the others. Poor virgin science dork Butch with his chemicals, flashlight glasses, and Leprechauns for Dummies book. “Not in a dress … Do you think there’s pussy in heaven?” I liked that they were losers that had to use a magic flute to get ahead. If this movie was made now, instead of 10 or 11 years ago, I would absolutely say that the flute was a metaphor for auto-tune or other studio tinkering of vocals. It’s a neat reversal of reality that these losers could win anyone’s approval with a stage performance, but the sound of the flute couldn’t be duplicated with electronic equipment. They were funny, too. I laughed aloud very shrilly at their religious rap and at a few of the silly lines they dropped. I didn’t even mind most of the leprechaun’s blackifacations and got a nice chuckle at his shout out to MLK Jr with “Free at last, free at last! Thank God Almighty, I’m free at last,” upon being released from his stone form.

criss cross'll make him ...

Fisty: Well, you are a better man than I, brother. Also, technically auto-tune WAS being used a decade ago. Only then it was used to make talentless somebodies listenable, and now it’s an effect, a total gimmick (though yes, it still masks imperfections. Refer to Jay-Z’s “D.O.A. (Death of Auto-Tune),” if you please. Which kind of does make this movie a total metaphor for the music industry. Huh.

Speaking of the music industry, I love that Coolio is listed as a “co-star” in LitH, when he appears in it for all of eight seconds. I counted. There is seriously no point to his being there, he doesn’t even speak, just looks confused. I suppose he’s in it just so they can say, “Starring Coolio!” but it’s so silly. Postmaster P even calls it out, saying, “Yo, that’s Coolio!” Why, thank you for noticing, young man. In the movie that is MY life, he was even on screen longer than eight seconds. (We were having late-night happy hour at my favorite dim sum place, Wong’s King when my husband looked at a guy walking past and said, “Yo, that’s Coolio!” I said, “Baby, not every black man with stupid hair is Coolio. Why are you so racist?” But it actually was Coolio, having a post-show dinner in the next room; I won’t bore you with the details. But that interlude was LONGER THAN HIS APPEARANCE IN THIS MOVIE. And since you’re not me, the time it took to read this paragraph was longer, too!)

even coolio doesn't know why he's there

Bill: Your life is so much more interesting than mine. Though, I do have Claudio Simonetti as a Farmville neighbor. I was never a big Coolio fan anyway. “Gangsta’s Paradise” is such trite shit. Boohoo, a gangsta’s life is so tragic that I have to use simplistic rhymes like see/me to make my cliche point. And that damn Michelle Pfeiffer movie … Blah! It’s piffle, a cushy suburbanite’s idea of ghetto tragedy. LitH isn’t any more authentic. It feels like it was made by white people that like hood movies for white people that like hood movies, like me. Whereas, the old blaxploitation horrors and Def by Temptation (my personal fave hood horror) were actually made to appeal to a black audience. Still, it’s not an un-fun movie. Not as good as any of Snoop’s entries into the subgenre or Def or even Tales from the Hood, but it’s for damn sure way more entertaining than Dangerous Minds.

Fisty: Talk about ersatz!

And look at how we only talked about the hood aspect of Leprechaun in the Hood, while the poor Irish were left out in the cold yet AGAIN. Thank god we have Saint Patrick’s Day to remind us of all the suffering the Irish have undergone since first arriving in this country.

at least it ain't a crackhead

Hell Week of the Shrieking Cannibal Dead

Halloween is on its way.  This is my favorite time of year and I wanted to kick off the season right.   What better way to do that then with hordes of the shambling undead?  I decided that I’d spend a week watching nothing but zombie movies, beginning on September 18th and leading up to Old School Sinema’s 6th Cleveland Charity Zombie Walk, which I knew was coming up on September 25th.   If I managed to survive 30 hours of gutmunchers and the company of hundreds of brain-ivores, this week of extreme carnage would serve as my official beginning to this years Halloween season.


supernatural voodoo woman

1.  Sugar Hill (1974)

Blaxspoitation voodoo zombies in the funkified seventies, killing organized crime thugs.

It’s a low rent Foxy Brown with zombies by the people who brought you Blackula.  It’s all very cheesy.  Also very fun.  The zombies have bulging eyes devoid of pupils or irises, discolored skin and cobwebs on them.  They look slightly moldered more than straight out rotted.  It’s a look that is, at once, really corny and still pretty cool.  Nothing to see in terms of gore or nudity, sadly, but plenty to laugh at.  Noisiest jungle ever.  And Baron Samedi is hilarious.


orgy of the dammed

2.  Beneath Still Waters (2005)

Aquatic, grimoire-raised, zombies in a reservoir over a submerged town, killing anyone that goes near the water.  (Great idea!)

Brian Yuzna always makes good with bucketfuls of awesome gore and make up and some nice, healthy titties and, really, that is usually enough.  He doesn’t disappoint here, bringing both in good supply.  With Beneath Still Waters, however, he really goes out of his way and also gives you some creepy atmosphere and it’s a great concept.  Based on a novel, I believe.  Thank you, Brian Yuzna, for Melinda Clarke in Return of the Living Dead 3 and thank you for Beneath Still Waters, a movie that lets me have my cake (smooshed all over a woman’s breasts at an orgy) and see people get eaten, too.


hong kong gooey

3. Bio Zombie

Chemical weapon, soft drink zombies inside a mall, killing the people locked in with them. How’s that for a twist?

Bio Zombie is a fucking awesome zomcom.   Woody Invincible and Crazy Bee are my new heroes.   They are like the Shaun and Ed of zombie movies. Well, the Shaun and Ed of Hong Kong zombie movies, I guess.  Or maybe I should call them the Brody and T. S. of zombie movies.  Or if Shaun and Ed were the Brody and T.S., then Crazy and Woody could be the Jay and Bob of zombie movies.  Regardless of what I call them or if any of this jabber makes any sense to you, they fucking rule.  The make up is shit and the movie is weird as all hell, like most Asian comedies I’ve seen, but the flick has heart.  And, while Jelly isn’t that hot, her friend, Rolls, is sexy as hell.


the opposite of good


4. Zombi 3

Chemical, or possibly viral, zombies (and zombirds!) on a tropical island with one radio station, killing a lot of lousy actors.

So, so very bad.  It steals outright (not pays homage to) Return of the Living Dead, The Crazies and Day of the Dead.  The head scientist over acts so hard I started to sweat just watching him.  He yells every line and throws his arms about wildly and pauses in very odd places.  If Jeff Goldblum and William Shatner had a baby that developed some nervous condition that caused uncontrollable muscle spasms and was always screamingly angry, that child would have given a subtler performance than this guy.  Throughout the whole movie there are zombies throwing themselves off of roofs at people.  Why and how did they got up there in the first place?  Beats me.  Oh!  There’s a helicopter escape, too!   Two of the three remaining survivors get to da choppa and begin taking off, hovering and calling for the third survivor to jump up and grab on.  They do this instead of just waiting for him to get in, which they could have done, since there were no zombies anywhere near them.  Or were there?!  As he’s hanging off of the skid of the helicopter, zombies leap up out of the hay beneath him.  They were hiding there all along!  BASTAAAAARDS!

So bad.  I didn’t even mention the deejay, the zombie deejay.


you don't have to see to love boobies

5.  Night of the Seagulls (1975)

Evil, blind, Templar Knight zombies in a village of assholes that beat retards with sticks, killing beautiful young maidens.

Ah, I do love the Blind Dead series, of which this is the fourth and final film.  How can anyone not love them?  Gorgeous women, great concepts, creepy atmospheres, awesome sets and those wicked, eyeless, sword-wielding, zombie horse-riding, skeletal knights are some of the coolest risen dead in all of film history.  Even though they’re blind, they’re always nice enough to rip open a young maiden’s dress before killing her.  They do this for us, you know, since they can’t see ’em.  What a considerate bunch of corpses.


you'll shoot your eye out, kid

6.  Children Shouldn’t Play with Dead Things (1973)

Grimoire-raised, criminal zombies on a misty island with a graveyard for undesirables, killing a local theater group and their slimeball director.

Children Shouldn’t Play with Dead Things is amateurish in every way.  Still, some of the one-liners are clever and the movie can be fairly funny at times. I especially liked one character’s repeated confession to having pissed in his pants.  It isn’t something that I can bring myself to watch often, but I do like it for a couple of reasons.  One of those being the bitchin’ title.  Seriously, one of the coolest titles ever.  The other being that the entire movie has the feel of the kind of local station-produced tv segments that would be hosted by some Elvira-type character.  I can’t watch this movie without getting nostalgic for my days as a youngster, watching all sorts of horror flicks with my local, Cleveland area, horror hosts like Super-Host, Big Chuck and Lil’ John, and The Ghoul.  Ah, good times…  Call me old, but I think TV was better before we all had cable and knew what an infomercial was.


no boats, no lights, no motor cars

7.  Shock Waves (1977)

Aquatic, Nazi zombies on, and in the water around, The Isle of Peter Cushing, killing a boat-load of stranded tourists.  Hmmm…  That’s three different zombie infested islands already.

Come on…  It’s underwater Nazi zombies in cool goggles and Peter-fucking-Cushing!  Like I have to say anything more about that?


reich of the living dead


8.  Outpost (2008)

Philadelphia Experiment, Nazi zombie, masters of time and space in an old, abandoned bunker, killing an international bunch of badass mercenaries .

Here, we have something new!  Some kind of electromagnetic, unified field theory, universal vibration gobbledygook machine has created a breed of Nazi zombie that can blink in and out of existence at will.  I’m not even sure if they would qualify as zombies, since they seem awful ghost-like, but they look like Nazi zombies and they’re solid enough when they’re there.  Bullets hit them, but don’t stop them.  They sure as hell can kill in some pretty nasty, physical ways.  AND I LIKE THEM!  The mercenaries in the flick, lead by DC (Ray Stevenson, who made an even better cinematic Punisher than Dolph Lundgren, if you can believe that) are some badass guys, but don’t stand a chance against these inviso-vibro-zombies.

I love weird war tales.   Outpost fits that genre well and would make a great double feature with Neil Marshall’s Dog Soldiers, which, itself, is one of the better action-horror, weird war movies from recent years.

My only real complaint about Outpost is the lack of color.  The damn movie is practically in black and white.  I understand that this is a stylistic choice and that sometimes it even works for a movie, but I’m getting really tired of it.  Still, it is a spiffy addition to the zombie Nazi sub-subgenre.


"they're us. we're them and they're-" YES, BARBARA, WE FUCKING GET IT!

9.  Night of the Living Dead (1990)

Classic, Romero zombies outside of a farmhouse trying to eat the people inside and a few animals outside, because meat is meat and a zombie’s gotta eat.

How about that cast!  Tony Todd, Bill Moseley, Tom Towels, Tom Savini!  And, man, is that Patricia Tallman a looker or what?  Savini does almost everything right with this remake.  My only issues with it are some of the more melodramatic moments, like Ben looking to the sky and screaming, “Damn you!  Damn you all!”  I was waiting for him to say, “Get your rotting paws off me, you damned dirty zombie,” all Chuck Heston-like.  Or Barbara’s, “They’re us. We’re them and they’re us.”  Just seeing the look on Tallman’s face was enough, we didn’t need the sledgehammer to drive the point in.

One awesome moment:  When Ben first steps out of his truck, all you see are his boots, then the hooked end of his crow bar comes down into the shot.  I would swear on my life that this was a nod to Tony Todd as Candyman, except I know that Candyman didn’t come out until 2 years after NotLD’90.  Savini is a horror prophet!


fuckin' nursery school

10.  Dawn of the Dead (2004)

Red Bull-infused, athletic, viral zombies, outside of a mall, killing the people hiding inside, but dogs are safe.

I like this movie, I do, but, while I mostly love the script, the more I watch this, the more I have to roll my eyes at Snyder’s direction.  How about we turn this into a drinking game?  Whenever you see a slow-mo explosion from far away with muted sound, drink.  Whenever someone is about to be shot and the movie cuts to another shot before you hear the bang, drink.  Whenever the camera gets all up close on a gun barrel with a whoosh sound and hints of slow motion, drink.  Whenever a digital gore effect is shown in slow motion, drink.  Whenever you see shell casings fall and clink and clack to the floor in slow motion, don’t drink.  That would be way too much alcohol and you would die.  If I seem like I’m being extra harsh on this flick, while being very forgiving to others, that’s because I am.  It bugs me that this is just an ok movie.  It really could have been great, but it’s held back by one man’s obsession with quick edits and slow motion and zombies that consume as much Gatorade as they do flesh.


a mouthful of greek salad

11.  Day of the Dead (2008)

Viral zombies (with the proportionate speed, strength and agility of a spider) in a small town, killing everything.

You know, when you get over the fact that they’re using the name Day of the Dead and realize that it has so little in common with Romero’s movie that it is really a remake in name only, it’s not any better or worse than a lot of other shitty movies, which can be enjoyed as such.  Hell, it’s really more like the Zombi 2 of Dawn of the Dead ’04 than a remake of Day of the Dead ’85.  Sure, Mena Suvari is completely unbelievable in her role, but she has a shapely enough ass that it shows through, even under her army duds, so that’s ok.  Yes, Nick Cannon is the Jar Jar of zombie movies, but legless zombie Ving Rhames is cool enough that I think he should be a legless zombie in every movie he’s in, so that almost balances out.   Also, Cannon’s P. Diddy line made me laugh.  And, ok, zombies with 6-foot vertical leaps and the ability to crawl on ceilings is pretty dumb, but the airborne transmission of the virus and flu-like symptoms are kind of neat.  And, I mean, this movie begins with four teenagers making out in an abandoned building.  That’s a clear sign that they weren’t aiming to boggle your mind with their brilliance. If they had named it anything other than what they did, you could probably watch it just as dumb movie that’s easy to laugh at and make fun of.


lol wut

12.  Zombie 4: After Death (1988)

I don’t know!  Some kind of zombie, voodoo, I guess, on another island, killing whoever happens to be around, including bisexual porn stars, really ugly mercenaries and a girl who may have been able to run across the ocean as a child.

JEFF STRYKER!  I totally used to sell the Jeff Stryker Cock and Balls dildo at work!  This movie rules!  Except it sucks!  As bad as Zombi 3 is, Zombie 4: After Death is on a whole ‘nother level of bad.  It is AMAZINGLY bad!  Nothing in this movie makes any sense whatsoever!  NONE!

The credits will tell you that this was directed by Clyde Anderson, but that’s a damn lie.  The man behind this pile is Claudio Fragasso.  He is the man who wrote and directed Troll 2, a movie so bad they had to make a documentary about it.  This guy is the Sultan of Suck.  He is the Pope of Putrescence.  And Z4: After Death is worthy of him in every way.

The zombies!  They all seem to be just a little over five feet tall.  This is never really explained, but I think they were probably all jockeys.  They may have also been ballerinas, which would explain their graceful leaping abilities.  Seriously, it’s like watching Ice Dancing of the Living Dead Jockeys, only without the skates.  They’re also really good at synchronized window and wall smashing and masters of leaping out of nowhere in small rooms where they could not have possibly been hiding.

Oh, and the song!  Al Festa’s song, Living After Death, epitomizes every cheesy metal song in every movie from the late ’80s.  Not only does it play over the opening credits, but when you first meet the mercenaries, they’re listening to it on the radio.  It rocks so hard that I started getting excited near the end of the movie, because I knew they would play it again.

The end!  This a spoiler, but I really don’t think that matters with a movie like this.  JEFF STRYKER GETS FIST FUCKED IN THE TORSO BY A ZOMBIE!  Really.  That fist just keeps pumping in and out, with an occasional little twist, through a hole punched into his back and out of his belly.  And this just goes on and on while he makes an O-face and the girl who ran across the ocean plucks out her own eye and peels the skin off of her zombifying face.  None of this makes any sense at all, but who cares, because as soon as it’s done, YOU WILL BE ROCKED RIGHT DOWN TO YOUR CORE BY AL FESTA!  Not only do they play Living After Death over the end credits, as I knew they would, but the song rocks so hard that they let it keep playing over an empty black screen after the credits have finished.  FUCK YEAH!


bill just farted

13.  Return of the Living Dead Part II (1988)

Trioxin zombies in a small town, eating braaaains!

Return of the Living Dead is one of my favorite movies ever, but I actually saw RotLD Part II first.  While now, I watch it and laugh at the humor, when I was watching it by myself one night, 12 or 13 years-old, it scared the hell out of me.  My house at the time had windows that would rattle whenever there was a strong wind.  As I was watching, the window began to rattle and I could almost swear that there was a silhouette of a person out there, beyond the blinds and I knew, it was a zombie trying to get in.  To this day, even as an adult, whenever a window rattles, I flash back to that moment and imagine rotting hands smacking against the panes of glass, trying to get in and eat me.


reports that the virus was caused by rage infected monkeys have now been dismissed as complete bullshit


14.  28 Days Later (2002)

Rage-infected zombies in an emptied-out Great Britain, killing anyone unfortunate enough to catch their attention.

This movie is so great.  Sometimes I forget how great it is, until I watch it again.  I could easily name off 50 zombie movies from memory and maybe as many as 100 or more, but I can only think of two that have made me cry.  28 Days Later is one of those.  Everything about the movie (except for the lame Rage explanation) is perfect.  Love the music and the way it slowly builds through the climax until it’s almost maddeningly intense.


panic in the streets of london


15.  28 Weeks Later (2007)

More rage zombies in infected Britain, killing the people resettling the island.  Yes, it’s an island.  That’s five different islands and six movies so far with zombie-plagued islands.  How many more are there?  Zombie, Zombie Island Massacre, Survival of the Dead, House of the Dead, etc…  Why does anyone ever think that going to an island would be a good way to escape zombies?

Jeremy Renner before he made it big!  Not as good as 28 Days Later, but still really good.  Great cast, great music.  Very depressing.  100% less Cillian Murphy penis.


we're the only ones who've watched the damn thing anyways

16. The Signal (2007)

People infected with a madness, akin to 28 Days/Weeks Later infected, only with more mental ability, run all over a city killing the uninfected and each other.

Neat idea.  Three different men each direct one-third of the movie, with each segment labeled as Transmission #1, 2 and 3.  It makes for some strange tonal shifts in the flick.  The first third is somewhat disturbing and played very straight.  Scary stuff.  The second takes a more comedic angle and had me laughing pretty hard.  Then the final segment takes the movie back to the more serious, though not as suspenseful, territory of the first.


nothing at the movie show when you're dead

17.  Return of the Living Dead (1985)

Trioxin zombies on the loose in Louisville, Kentucky, eating the brains out of punks and paramedics and anyone else they can get their teeth into.

One of my top 5 most watched movies ever.  Infinitely quotable.  Tarman and the “Pain of being dead” zombie are amazing!  Trash, I love you, codpiece and all.


I was aiming for twenty movies, but I fell a little short.  I did watch the beginnings of Zombie Strippers, Don’t Wake the Dead and Burial Ground, but since I fell asleep during all three, it would be dishonest to include them and claim the full twenty. But, if you look at some of the movies I had no trouble staying awake for, that may tell you a little bit about how bad these three are.

The zombie walk, like the five previous walks, was a great success and a helluva good time.  A few hundred or so people turned out, massive amounts of food were gathered and the world was made a better place.  The streets were clogged with the rotting hordes and cars were attacked, civilians eaten and at least one dog was lightly sampled by the dead.  Mmmm… tasty!  I can’t wait to do it all again next year.  But for now, bring on the candy corn, because it’s Halloween time.  Silver Shamrock, bitches!